Cinematic TV

That cinematic soul persists for him in TV shows like The Knick (Cinemax, 2014–15) or Fargo (FX, 2014– present), whose frames explicitly illustrate the showrunner's intent and vision. This kind of television, Seitz argues, ...

Cinematic TV

For decades after its invention, television was considered by many to be culturally deficient when compared to cinema, as analyses rooted in communication studies and the social sciences tended to focus primarily on television's negative impact on consumers. More recently, however, denigration has largely been replaced by serious critical consideration of what television represents in the post-network era. Once derided as a media wasteland, TV is now praised for its visual density and complexity. In the last two decades, media scholars have often suggested that television has become cinematic. Serial dramas, in particular, are acclaimed for their imitations of cinema's formally innovative and narratively challenging conventions. But what exactly does "cinematic TV" mean? In Cinematic TV, author Rashna Wadia Richards takes up this question comprehensively, arguing that TV dramas quote, copy, and appropriate (primarily) American cinema in multiple ways and toward multiple ends. Constructing an innovative theoretical framework by combining intertextuality and memory studies, Cinematic TV focuses on four modalities of intermedial borrowings: homage, evocation, genre, and parody. Through close readings of such exemplary shows as Stranger Things, Mad Men, Damages, and Dear White People, the book demonstrates how serial dramas reproduce and rework, undermine and idolize, and, in some cases, compete with and outdo cinema.

More Books:

Cinematic TV
Language: en
Pages: 336
Authors: Rashna Wadia Richards
Categories: Performing Arts
Type: BOOK - Published: 2021-04-30 - Publisher: Oxford University Press

For decades after its invention, television was considered by many to be culturally deficient when compared to cinema, as analyses rooted in communication studies and the social sciences tended to focus primarily on television's negative impact on consumers. More recently, however, denigration has largely been replaced by serious critical consideration
The Guide to Managing Postproduction for Film, TV, and Digital Distribution
Language: en
Pages: 310
Authors: Barbara Clark, Susan Spohr, Dawn Higginbotham, Kumari Bakhru
Categories: Performing Arts
Type: BOOK - Published: 2019-02-21 - Publisher: Routledge

The updated third edition of this popular book offers a clear and detailed overview of the postproduction process, showing readers how to manage each step in taking a film, TV, or media project from production to final delivery, from scheduling and budgeting through editing, sound, visual effects, and more. Accessibly
Breaking Bad and Cinematic Television
Language: en
Pages: 208
Authors: Angelo Restivo
Categories: Performing Arts
Type: BOOK - Published: 2019-03-08 - Publisher: Duke University Press

With its twisty serialized plots, compelling antiheroes, and stylish production, Breaking Bad has become a signature series for a new golden age of television, in which some premium cable shows have acquired the cultural prestige usually reserved for the cinema. In Breaking Bad and Cinematic Television Angelo Restivo uses the
Concept TV
Language: en
Pages: 144
Authors: Luca Bandirali, Enrico Terrone
Categories: Television series
Type: BOOK - Published: 2021 - Publisher: Rowman & Littlefield

Television series seem to be made of images and sounds just like films, but Luca Bandirali and Enrico Terrone suggest an alternate framework for understanding television series: as concepts whereby narratives made of images and sounds can be constructed.
Television Aesthetics and Style
Language: en
Pages: 352
Authors: Steven Peacock, Jason Jacobs
Categories: Performing Arts
Type: BOOK - Published: 2013-07-04 - Publisher: Bloomsbury Publishing USA

Although Film Studies has successfully (re)turned attention to matters of style and interpretation, its sibling discipline has left the territory uncharted - until now. The question of how television operates on a stylistic level has been critically underexplored, despite being fundamental to our viewing experience. This significant new work redresses