George. Romero. vs. Hollywood. Dennis. Fischer/1989. From Cinefantastique 19, no. 3 (1989): 36–37. ... ambitious horror effort from director George Romero, audiences shunned the film when Orion Pictures opened it last summer.
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Language: en
Pages: 214
Pages: 214
Explores the relevance of Romero's films within American cultural traditions and explains the potency of such work beyond 'splatter movie' models.
Language: en
Pages: 224
Pages: 224
Released in 1985,Day of the Deadwas the final film of George A. Romero’s classic zombie trilogy, which forever changed the face of horror filmmaking. Set in an apocalyptic world where the living-dead epidemic has wiped out most of humanity, the movie quickly acquired cult status, and — with one remake
Language: en
Pages: 187
Pages: 187
George A. Romero (b. 1940) has achieved a surprising longevity as director since his first film, Night of the Living Dead (1968). After recently relocating to Canada, he shows no signs of slowing up: his recent film, Survival of the Dead (2009), is discussed in a new interview conducted by
Language: en
Pages: 304
Pages: 304
In this comprehensive portrait of horror's definitive director, Tony Williams ties George A. Romero's films to the development of literary naturalism and American culture, expanding the artist's creative footprint beyond his mastery of the "splatter movie" genre. Williams locates Romero's influences in the work of Emile Zola, the Entertainment Comics