Many calligraphers of today are interested only in postmedieval scripts as a basis for their lettering because, as I have been told more than once too often, medieval scripts do not allow today's calligrapher to exercise any personal ...
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Language: en
Pages: 198
Pages: 198
Spirited history and comprehensive instruction manual covers 13 styles (ca. 4th–15th centuries). Excellent photographs; directions for duplicating medieval techniques with modern tools. "Vastly rewarding and illuminating." — American Artist.
Language: en
Pages: 91
Pages: 91
User-friendly instructions from an expert on recreating the 4 major medieval styles — early medieval Roman rustic, early Uncial, Carolingian, and late medieval Gothic textura — come to life with profiles of a figure from each era — Julius Caesar, King Arthur, Charlemagne, Robin Hood. Expert advice on spacing, paragraphing,
Language: en
Pages: 103
Pages: 103
Inspired by the calligraphy of the Middle Ages, this treasury of unusual fonts features Gothic typefaces such as Lowenbrau, Kaiser, and Hansa along with the lighter styles of Leipzig, Tory, and Hamburg. 53 fonts.
Language: en
Pages: 456
Pages: 456
In addition to sections devoted to Latin paleography, diplomatics, computer-assisted research, numismatics, archaeology, problems in chronology, and prospography, this text describes state-of-the-art research methodology and critical approaches to English literature, Latin philosophies, law, science, art and music.
Language: en
Pages: 96
Pages: 96
No need for copper or plates to achieve the distinctive calligraphic script of eighteenth-century Europe ― just a pen, ink, and this comprehensive workbook will do. Master calligrapher Dick Jackson explains the basic strokes for almost all letters of the copperplate alphabet. Simple instructions and examples introduce the swirls, flourishes,